Friday, July 31, 2009
THE ENLIGHTENMENT
The enlightenment is caused by modification that involves our spine and the brain. The modification cannot be done over night. It should be a continuous process beginning with rituals. Rituals could be anything like visiting places of worship, fire rituals, prayers, etc. For enlightenment, knowledge is paramount. The stage of samadhi can be reached not just by knowledge alone, though knowledge is the key ingredient. Internal exploration is equally important to reach the stage of samadhi or trance. Internal exploration coupled with knowledge and prana (combination of consciousness and breath) leads to metaphysical experience, which we call as siddhis. When this combination is formed in right proportion, kundalini begins its ascent from the base chakra, towards the brain. There is a distinct difference in the arousal of kundalini by way of yoga and by way of devotion. The main difference between the two is in the paranormal state of mind. The kundalini that was aroused by means of devotion leads to bliss and this bliss is to be experienced to explain. We are not discussing about the awakening of kundalini through yoga here. Experience of bliss differs from one person to another and the cause of difference is due to the intensity of devotion. The final liberation is achieved only through devotion and not merely by practicing yoga postures. The pure devotion alone causes modification in the level of intellect. Only in the case of devotion, we can talk about the triad – the knowledge, knower and the known. When knower and known merges, the enlightenment is achieved. It is the union of cosmos with the self.
Whenever we talk about realization, enlightenment or any other spirituality related issues, we have to understand that mind is a major player. From the initial stages of ritual worship to the advanced stages of metaphysical experience, mind plays an important role. The all powerful mind uses its creative power by transforming itself into universal consciousness, which is called infinite. This is a stage beyond time and space. One of the products of the mind, intelligence is a process of inference gained through worldly experience. Someone who believes (the cause of belief is his intelligence) in the existence of realities beyond human comprehension believes in the union of self with the cosmos. His belief is not attained in a single day, but over a period of time by consistent inputs to his mind. Due to this process his perception about mystic quality undergoes a change which leads from duality to unity. This is the stage when he enters the fourth stage called turiya, the other three being awake, dream and deep sleep. The knowledge is further refined in this fourth stage where the past impressions of the mind are totally destroyed and eradicated, resulting in the creation of a fresh and new self. He realizes that he was created from Him and to be dissolved in Him. Material universe does not bother him anymore. Mystical ecstasies do not disturb him. He is now in the stage of samadhi and ready for final liberation.
Thursday, July 30, 2009
LALITHA SAHASRANAMAM 66,67
Sampatkarī-samārūḍha-sindhura-vraja-sevitā सम्पत्करी-समारूढ-सिन्धुर-व्रज-सेविता (66)
She is worshipped by herds of elephants headed
by Sampatkarī. Sampatkarī Devi
has already been discussed in nāma 9.
There is also a mention about Sampatkarī Vidyā,
which is considered as very powerful.
There is a three syllable bījākśarā hidden in this nāma that is used in sampatkarī vidyā. Though this bījākśarā is considered very secretive in nature,
this has been already discussed in nāma
9. The bījā kroṁ (क्रों) is
formed out of three alphabets –ka + ra + ma with a bindu. The alphabet ka stands for joy and
fame. The alphabet ra is considered
as powerful as it is the bīja
of agni, the fire. Any mantra
with ra bestows supernatural powers.
The alphabet ma stands for comforts in the present and future
births. The repeated chanting of kroṁ will give all-round prosperity and
happiness. No mantra will
fructify without ātma bīja,
which should be initiated by one’s Guru.
The
knowledge, the knower and the known together are called a triad. The knowledge of realising that all the three
are the same is called sukha-sampatkar. Śiva
Sūtra (I.19) says śaktisandhāne
śarīropattiḥ.
This means ‘single pointed union (union with intensity and constant
awareness) with Śaktī. {śaktisandhānā
means that one need not pray to Śiva asking for
favours. If one is able to energise his
thoughts, what is sought for is achieved. Sandhānā is one of the
essential factors of spirituality.
Conglutination of fixedness and intensity of awareness are the primary
factors in spiritual progression.
Without developing the abilities of sandhānā, it is said that
initiation into mantra will not fructify and consequently mantra’s
contrivance will never be attained.}
If
Lalitai is meditated upon with the bīja kroṁ the meditator will be endowed with
everything that is desired. This could
also be interpreted as advancement to the higher level of spiritual
realization.
Āśvārūḍhā-dhiṣṭhitāśva-koṭikoṭibhi-rāvṛtā आश्वारूढा-धिष्ठिताश्व-कोटिकोटिभि-रावृता (67)
Lalitai
is surrounded my many horses headed by Aśvārūḍhā
Devi,
about whom we have discussed in nāma 8. Aśvārūḍhā Devi
is the chief of the horses used in the war.
The face of this Devi also looks like a horse. Aśvārūḍhā’s
mantra consists of thirteen bīja-s and considered to be very
powerful. Out of the thirteen bījākṣara-s, four are recited in the regular order at
the beginning and in the inverted order at the end. This is called mantra sampuṭa. Sampuṭa means caged.
Such types of mantra-s fructify quickly.
Senses
are compared to horses as they run faster and without control, if let
loose. Mind is the jockey of the horse
as mind alone can control the senses. Śiva Sūtra (I.12) says, ‘vismayo yogabhūmikāḥ’. The meaning is slightly complicated but one
certainly needs to understand this. The
literal meaning is ‘the stations and stages of yoga constitute, fascinating
wonder’. Stations mean cakra-s. In these stations consciousness arrives and
moves to the next station or higher cakra-s. The consciousness above sahasrārā or
the consciousness outside the physical body of the yogi is called turya
stage. In this stage yogi’s senses are
totally under the control of his inner self which is also called supreme
consciousness. In this stage the yogi
realises the bliss. In other words
realising our own inner self is the ultimate joy that leads to bliss. Station could also mean a well activated ājña cakra,
where one could control his senses.
Stages mean the level of consciousness.
The highest stage of consciousness is called turya stage. The will power with which a yogi establishes
his commune with Śiva is called Umā
or Kumārī. A yogi treats everything
as the same. He does not distinguish
between external and internal, I and his, good and bad, etc.
This
explanation is not out of place here as this nāma talks about controlling
senses that wander like horses. There
are plenty of spiritual rewards for controlling the senses. Śaktī alone is capable of taking one to Śiva, the Supreme Brahman. Śaktī
is māyā. Unless māyā is
dispensed with, the Supreme Self cannot be realised. The will power for establishing commune with
Śiva is provided only by Śaktī who is called Umā in Śiva sūtra-s.
Therefore,
Lalitai manifested in different forms and names is the cause for
sense-impressions and She alone can remove those impressions, to proceed to
higher planes of consciousness and to establish commune with Śiva.
Once Śiva is realized, one
eternally remains in bliss.
Katha
Upaniṣhad says senses are horses and the body is the
chariot. Objects are the road and Self
is the enjoyer (owner of the chariot and horses). Knowledge is incapable of discriminating between
good and bad and when connected with uncontrollable mind, then it is like a
charioteer or the driver who has to deal with the uncontrollable horses (mind
out of control causing all types of miseries).
Such explanations are found in Devi Māhātmya (Durgā saptasatī)
and Bhagavad Gīta
as well.
LALITHA SAHASRANAMAM 64,65
Devarṣi-gaṇa-
saṃghāta -stūyamānātma-vaibhavā देवर्षि-गण-संघात-स्तूयमानात्म-वैभवा (64)
From
this nāma, till nāma 84, Her slaying of demon Bhaṇḍāsura is described. Deva + rṣi + gaṇa.
Deva means gods and goddesses, rṣi means sage and gaṇa means demigods.
Agni purāṇa says that there are seven types of gaṇa-s. For example Rudra gaṇa-s mean the assistants or
helpers to Śiva. There is a separate stanza (11) in Śrī
Rudraṁ offering prayers to Rudra gaṇa-s.
Rṣi-s mean great sages like Vasiṣṭha, Nārada, etc. Nārada is also called Deva
rṣi.
She is worshipped by gods, goddesses, sages, demigods and goddesses. Stūyamānātma
means worshipping. Vaibhavā means all
pervading. Only Brahman or Pramātman
is all pervading. Deva-s and rṣi-s will not worship anybody below the
grade of the Supreme Brahman. So this
indirectly implies Her status of nirguṇa Brahman.
It
is also said that sage Nārada
(deva) approached Lalitai to slay demon Bhaṇḍāsura who was causing
immense trouble to Deva-s and rṣi-s. The deeper
meaning of this nāma is - demons here mean the ego arising out of
ignorance. Lalitā is approached
by them to absolve them of their ego, as She alone is capable of absolving
them. Sins are committed because of ego.
Bhaṇḍāsura-vadhodyukta-śakti-senā-samanvitā भण्डासुर-वधोद्युक्त-शक्ति-सेना-समन्विता (65)
She
is ready with Her army to wage a war against Bhaṇḍāsura. Her army consists of various goddesses
mentioned in Śrī Cakra. There is
a story associated with this nāma. Manmatha, the god of love was
burnt by Śiva to ashes. Gaṇeśa,
playfully collected the ashes of Manmatha
and created a man. Brahma, the
lord of creation on seeing Gaṇeśa’s
act said bhaṇda
bhaṇda
meaning well done. That was how the
demon was named as Bhaṇḍāsura. Since Manmatha
was burnt by the fierce fire of the third eye of Śiva, Bhaṇḍāsura
was said to be all powerful. He was an
embodiment of evils.
Bhaṇda
also means bondage. Śiva Sūtra (I.2) says jñānam
bhandaḥ. The
explanation given to bhandaḥ
is limited knowledge. This means
ignorance is the cause for bondage.
Bondage refers to attachments, desires etc. Since lack of knowledge is the cause for duality,
it is called bondage. If one has
knowledge, he will say I am That (Brahman). Innate nature or unconditioned state of mind
is called ānava mala. It refers to the limitation pertaining to
empirical individual. It is the primal
limiting condition which reduces universal consciousness to a jīva or
individual soul. This state of mind is called innate because, the mind does not
realise the Brahman and as a result gets bonded. Liberation is needed to get out of this
bondage. This liberation is possible only
with knowledge. There is another
interpretation for such a situation in Śiva
Sūtra (I.6) which says that by intense awareness, the various śakti-s (various acts of Śaktī) are united causing the
disappearance of the universe (māyā or illusion and duality), leaving
the Supreme Consciousness (the Brahman) to be realized. This process is nothing but
Self-realization.
The
secretive meaning of this nāma is – Lalitai is ready to give us
liberation from the cycles of birth and death, provided we have inclination to
know about Her. Bhaṇḍāsura is an embodiment of
ignorance and resultant evil acts. She
is ready to wage a war against ignorance and its associated acts. Śakti-senā
means Her different acts, not just creation but sustenance and dissolution as well. Her different acts are symbolically
represented by various goddesses represented in Śrī Cakra (nāma
996).
OUR BRAIN AND MIND
Our brain and mind play an important role in our consciousness. Higher level of consciousness can be achieved by making a beginning with internal introspection, which is possible only through meditation. The level of consciousness can be modified by regulating prana which is called the life energy. The prana if regulated properly at the various chakras lead to mystical powers. The level of spirituality varies at each of the chakras. Obviously spirituality is at its lowest ebb at muladhara or base chakra. The prana and consciousness makes the kundalini ascend to higher chakras, where higher level spirituality is realised. The spiritual level of a person is directly connected to his attitude and behavior. Let us call prana and consciousness together as spiritual energy. If this spiritual energy ascends to higher chakras, apart from higher level of spirituality, higher level of positive attitude and positive behavioral pattern is also achieved. Spiritual energy is the pilot engine for kundalini energy. Unless the spiritual energy cleanses a chakra, kundalini energy will not reach that chakra. This has already been discussed in our series on kundalini. The former is only the energy and latter is the Spirit itself. Cleansing and activating the chakras with spiritual energy is possible for all of us. Higher level of awareness and slow and deep breathing are the only requirements for activating the spiritual energy. Surely one can afford to spend a few minutes daily on this, in order to develop positive attitude in life.
When the spiritual energy reaches higher chakras you develop all positive qualities. Such positive qualities not only develop your skills but also improve your body language and confidence level. Therefore spirituality does not deal with the Spirit alone, but also deals with behavioral science. Praying to God is nothing but the union of body, mind and consciousness. If any of the three does not unite with the other two, prayers are not answered. If they are well connected, the prayers are always answered, without exception. It is my personal opinion that prana does not mean the air we breathe in. Prana is the combination of breathing and consciousness. When you are able to concentrate on a particular chakra, your inhalation and exhalation is automatically visualised in that chakra. You may not be aware of this phenomenon when your level of consciousness is very high.
Undoubtedly kundalini meditation is the best way to realise the God. But we have to remember that it is not the only way. First develop your positive qualities, which will form a strong foundation to higher level of spirituality. Do not attach too much importance to kundalini meditation. Kundalini will be aroused automatically if you could spend five minutes of practice daily on the lines discussed above.
Wednesday, July 29, 2009
LALITHA SAHASRANAMAM 59 - 63
Mahāpadmāṭavī-saṃsthā महापद्माटवी-संस्था (59)
She
dwells in a great forest full of lotus flowers.
Lotus flower grows only in water.
Nature’s bounty has been mentioned here.
Big mountains with high peaks were referred earlier. Now indirectly the water bodies are
mentioned. Mahāpadma also refers to a type
of elephant.
This
nāma talks about the crown cakra or sahasrāra, situated above the
six cakra-s of our body. A minute
aperture in the centre of sahasrāra is called brahmarandhra or padmāṭavī.
The divine energy enters human body through this aperture only. Human contact with higher planes is
established through this aperture. This
aperture is connected to all the six cakra-s. Lalitai conjoins Her consort Śiva in sahasrāra. This nāma talks about Her domicile in the
middle of a thousand petal lotus or sahasrāra.
Kadaṃbavana-vāsinī कदंबवन-वासिनी
(60)
She
lives in the middle of kadaṃba
trees whose flowers have divine fragrance.
Her Cintāmaṇi
graha is surrounded by a forest of kadaṃba trees. Nature’s greenery is mentioned here. By such narrations, Vāc Devi-s
describe Her pṛthivī tattva, the Nature.
She is also called Mother Earth.
There are about twenty five walls around Her Cintāmaṇi graha,
each wall representing a tattva.
This Kadaṃba vana
(kadamba forest) is situated between the walls of gold (eighth wall) and
silver (seventh wall).
It
is interesting to note that all the goddesses of Śrī Cakra intersect
each other in the place between seventh and eighth walls. There are twelve Vedic (solar) months
corresponding to English calendar. These
twelve months are grouped under six ṛtu-s, each ṛtu consisting of
two months. Each ṛtu is ruled by
a god. These six gods along with their
wives live in their palaces situated between third and eighth walls or forts of
Śrī Pura.
In
between the walls of gold and silver Mantrini Devi who is also
called Śyāmala Devi has a palace where She resides. She is the authority of ninety bīja-s
of Brahma Vidyā. Refer nāma 10.
Vāc
Devi-s
narrate how Lalitai controls even minute things. From the literal angle certain nāma-s may
appear insignificant. But each and every
nāma of this Sahasranāma has inner and secretive meaning and also a bījākṣara. By and large, such secretive meanings are not
disclosed to everyone. People knowing
the secretive nature of this Sahasranāma are extremely rare to
find.
Sudhā-sāgara-madhyasthā सुधा-सागर-मध्यस्था (61)
She
resides in the middle of the ocean of nectar.
Sudhā
means nectar, sāgara
means ocean and madhyasthā
means centre. Sudhā-sāgara is a place in sahasrāra. Just before sahasrāra, there is a
place called soma cakra. When kuṇḍalinī
reaches this soma cakra, due to the extreme heat, a liquid flows down
through the throat (nāma 106). This
liquid is called sudhā
as its viscosity and taste resembles nectar.
This liquid is also called
amrṭavarśinī. Amrṭam
also
means nectar. She being present in the
middle of this soma cakra in the midst of ocean of nectar causes this
nectar to flow into all the 72,000 (nāḍi-s) nerves of human body. It is said that, if this nectar flows into
our body, it does not cause death to the physical body. However this is possible only during advanced
stage of kuṇḍalinī meditation.
This is said to be the reason for long life of great sages.
Sudhā sindu
also means the bindu in the centre of Śrī Cakra. This is mentioned in Saundarya Laharī
(verse 8). This nāma attains great
importance because it talks about amrṭavarśinī
and the bindu.
Kāmākṣī कामाक्षी (62)
She
has lovely eyes. Her eyes are full of
grace, compassion and mercy for the universe.
That is why, Her eyes are so beautiful.
She fulfils all the desires of Her devotees by Her looks alone. Normally, our thoughts are reflected through
our eyes. Kāmā is the combination of two bīja-s kā + mā.
kā
means Sarasvatī and mā
means Lakṣmī. These two
goddesses are said to be the eyes of Lalitā. Kāmā
also means Śiva. This can mean that She is the eyes of Śiva.
Kāmadāyinī कामदायिनी (63)
She
fulfils whatever is desired. There are several interpretations for this
nāma. Kāma means Kāmeśvara,
a form of Śiva. Dāyini means giver.
It has been discussed earlier that Śaktī
alone leads to Śiva and there is no
direct access to Him. She takes Her devotees to Śiva, the supreme prakāśa form, the nirguṇa Brahman
(Brahman without attributes). She is
like a veil around Śiva and unless
this veil is removed, Śiva cannot be
realized. This veil can be removed only
at Her will.
Brahma,
the creator gave Her two names Kāmākṣī
and Kāmeśvarī. This is because of Her omniscient
nature. Brahma honoured her with these
two names, because He was so impressed with all Her activities, which She does
by mere glance. This interpretation
indicates Her vimarśa form. Dāyini also means inheritance. She inherits Śiva, meaning that Śiva
belongs to Her (possible obsession!).
The
59th nāma secretly refers to Vārāhi
Devi, 60th nāma refers to Śyamalā Devi, 61st nāma
to Kāmākṣī
Devi
and 62nd nāma refers to Mahā-tripura-sundarī
(nāma 234, another form of Śaktī). These references are highly subtle in
nature.
With
this, the description of Her physical or gross form ends. Nāma-s 64 to 84
narrate the slaying of demon Bhandāsura. Here begins the narration of Her
Supreme form and these recitals are also equally secretive in nature.
DEVELOP YOUR CLAIRVOYANT EYE
As we have discussed kundalini at length, we should also know about our energy field. You need not be clairvoyant to study your energy filed or of others. It is a simple procedure of observation and concentration. Our physical body is surrounded by two types of energies. The one that is immediately around our physical body is called inner energy field and appears smoky in colour. Normally this extends one or two inches from our physical body. The other one is around this inner energy field and is luminous in nature and could extend several inches beyond the inner energy field. This can be called outer energy filed. Every living being will have these two energy fields around them.
Observe the following steps in studying your energy filed first. Stand before a mirror and your head portion should be clearly visible to you. Have some dark background behind your head. Ensure that your head gets some light. Now move your eyes in such a way that you are able to concentrate and observe the area just above the top of your head (crown chakra). After a minute or two, you will be able to see the smoky inner energy and luminous outer energy around your head. By constant practice, you can develop your clairvoyant eyes perfectly. Once you are through with the study of your own aura (the energy filed), you can study the aura of others as well. In due course, by merely looking at a person you will be in a position to assess his energy level. The level of energy filed is an indicator of a person’s qualities.
Tuesday, July 28, 2009
LALITHA SAHASRANAMAM 55-58
Sumeru-madhya-śṛṅgasthā सुमेरु-मध्य-शृङ्गस्था (55)
From
this nāma till 63, the narration of Her
abode begins.
Sumeru
means in the midst of mountains called meru. She lives in the centre of Meru
Mountains. Vāc Devi-s in
nāma 52 said that Lalitai is
seated on the left thigh of Śiva,
union of static and kinetic energies.
Now they are discussing about her palace. Meru mountain range has three peaks
and if a line is drawn connecting them, a triangle is formed. In the midst of this triangle there is a
taller peak than the rest of the three where in Lalitai resides. Sage Durvāsa in his master piece
Lalithāstavaratna says “I salute the three peaks (the shorter ones) which
are abodes of Brahma, Viṣṇu and Śiva.
In the midst of these peaks, there is another peak much higher than the
other three. The golden rays are
beautifying this peak and I worship it.”
Possibly
this could be the description of Śrī Cakrā. In the middle of Śrī Cakrā there is a
triangle and in the centre of this triangle there is dot called bindu in
which Lalitai lives with Her consort Mahā Kāmeśvara. Nāma 52 is contemplated on this bindu.
Śrīman-nagara-nāyikā श्रीमन्-नगर-नायिका (56)
She
owns this auspicious and wealthy city called Śrī Nagara. There are two narrations about this Śrī
Nagara. One is found in Durvasa’s
Lalithāstavaratna and another in Rudra Yāmala (as told to Pārvatī
by Śiva). The former says that Śrī Nagara was
constructed by celestial architect Viśvakarma. Rudra Yāmala says that Śrī Nagara
is in the midst of ocean of milk as an island called Ratnadvīpa (island formed out of precious gems). In the midst of Śrī Nagara there is
another city called Śrī Vidya that is surrounded by twenty five walls,
each wall representing a tattva.
So, She is the queen of such a place, from where She performs all Her
three acts of creation, etc.
Cintāmaṇi-gṛuhāntasthā चिन्तामणि- गॄहान्तस्था (57)
She
lives in a palace constructed out of Cintāmaṇi, one of the most valuable gems. This gem is supposed to give whatever is
desired. This palace is on the northern
side of Śrī Nagara, the city. All
the gods and goddesses go to this place to worship Her. This is supposed to be the place of origin of
all mantra-s. Worshipping this
place eradicates all mental afflictions.
Pañca-brahmāsana-sthitā पञ्च-ब्रह्मासन-स्थिता (58)
She
is seated on a throne made up of five Brahmans.
The five Brahmans are Brahma, Viṣṇu, Rudra, Īśāna and Sadāśiva
(Some used to say Brahma, Viṣṇu, Śiva,
Mahādeva and Sadāśiva). Śiva, Mahādeva, Sadāśiva, Kāmeśvara
are the different forms of Śiva. Each form represents different acts. Saundarya Laharī (verse 92) says
that “Brahma, Viṣṇu, Rudra, Īśvara form the support of Your
throne and Sadāśiva is the seat of Your throne”. This nāma affirms Her highest authority of
the universe. But, Surely Vāc Devi-s
could not have meant to name Brahma, Viṣṇu etc as support of Her
throne and Sadāśiva as Her seat.
There is another interpretation for this Pañca-Brahman. This could possibly mean the basic
elements. We have five cakra-s in
our body (mūlādhāra to viśuddhi)
and each of these cakra-s represent one element. Mūlādhāra – earth element, svādhiṣṭhāna –
water element, maṇipūraka
– fire element (some are of the opinion that svādhiṣṭhāna is fire element and maṇipūraka is water), anāhata – air element and viśuddhi – ākāś or ether
element. Lalitai is sitting on
these five elements, each element forming four legs of Her throne and one
forming the seat. This seems to be appropriate
as She is the creator and creation is made out of the five basic elements
only. After crossing these cakra-s,
one has to proceed to ājñā cakra
where mind is controlled and then proceed to the crown cakra where the
union of Śiva and Śaktī takes place. This explanation suits the interpretations of
certain other nāma-s in this Sahasranāma. Nāma-s 249 and 947 also speak about this
concept.
A QUICK COMMUNE WITH GOD
In the present day circumstances, all of us have to be active to make a living. Naturally we are too busy to concentrate seriously on anything else except making money and to relax. After a day’s hard work, we do not have time to think about spirituality. In the mornings, all of us are involved in our daily chores. Therefore it is natural that we do not have time to think about our creator. Some of us could be offering prayers to God without any concentration. Such prayers are done as a mundane ritual without any purpose. If we do not make money, we will be failing in our duty in maintaining our family. Making money in a right way is not a sin. As a matter of fact it will add to our good karmas. So what is the way out to commune with God amidst our busy lives?
Please follow the following simple procedure to establish commune with God. Please do not say that you cannot spare at least five minutes daily to thank your creator. Please relax and sit erect with your head slightly tilted backwards. Sit on anything of your choice. Do not waste time in sitting postures or breathing. The only thing that is important is your erect spine and relaxation. Close your eyes and look within between your eye brows. Visualise your favourite God or Goddess in your pineal gland. Over a period of time you will be able to visualize the deity very clearly. Once you achieve this, start your commune with Him or Her. But necessarily you have to practice five minutes daily. Choose your own time, before food or after food, before bath or after bath, anytime. There is no rule for your timing. Your convenience is paramount. You will notice remarkable improvement in your personality and prosperity. If time permits practice this at least for a couple of minutes before retiring to bed and thank Him.
Monday, July 27, 2009
LALITHA SAHASRANAMAM 53,54
Śiva शिवा (53)
There
is no difference between Śiva and Śaktī; hence she is called as Śiva.
Śiva also means
auspiciousness. She is the embodiment of
auspiciousness. She is the icchā form
of Śiva. There are three types of śakti-s – icchā
(desire),
jñāna (knowledge) and kriyā (action). Since Śiva
is the Brahman and as such He does not have any desires. But His icchā form is reflected in the form Lalitai. Here desire means desire to self-realization.
“Yatā
Shivā
–tatā
Devi; Yatā
Devi- tatā
Shivā”
is the saying. Wherever Śiva is, there will be Śaktī and wherever Śaktī is, there will be Śiva. That is why it is said there is no difference
between Śiva and Śaktī. Elsewhere it is said that Pārvatī
and Parameśvara cannot be separated
from each other. This is compared to a word, which cannot be separated from its
meaning. They are considered as father
and mother of the universe. Scriptures
say that there is no difference between Umā (Śaktī) and Śankarā
(Śiva). Śankarī
is the consort of Śiva and is known
as Śiva - Śankarī.
She
is the māyā Śaktī that is
connected to one’s consciousness. How
does she look like? She is
knowledgeable, self-illuminating (remember our discussions on self-illuminating
Brahman), without qualities, the cause of destruction of saṃsārā (desires and related
issues) and the bliss. She is Śiva, the supreme Devi, the ocean of
mercy and compassion. Men of intellect
get everything out of Her.
There
are two important points mentioned here.
One is that, Lalitai is in no way different from Śiva.
Both Śiva and Śaktī are in a single form only. Only out of ignorance, we worship them as two
separate individuals. Secondly, assuming
that we continue to worship Her individual form that has been described in the
above verses, still we get all auspicious things. This aspect is discussed in subsequent nāma-s
also.
Svādhīna-vallabhā स्वाधीन-वल्लभा (54)
Her
consort (Śiva) belongs to Her
alone. This confirms the interpretation
of the previous nāma. We have been
discussing that Śiva alone created
Her to take care of His three acts. For
this exclusive purpose, Śiva created Śaktī, the kinetic energy as opposed to
the static energy of Śiva. As She is the only creation of Śiva, it is said that Śiva belongs to Her alone. Śiva
is the cause of this universe and Śaktī
is His power. Without this combination,
the universe cannot exist. This is also
confirmed by Saundarya Laharī (verse 1). Without being united with Śaktī, Śiva cannot even make a single move.
Possibly
this can also be interpreted as follows:
Brahman is omnipresent. Soul is
the jīva where karma-s of living beings are embedded. Neither Brahman nor soul in their individual
capacity can create a life. Brahman
needs the soul to function with a gross form and the soul needs the Brahman to
get a birth. Saundarya Laharī
(verse 1) says that Śiva cannot act
alone. In the same way Śaktī also cannot act alone. Since the verses are about Śaktī, generally negative points (not
qualities) in such cases are vetoed. It is poetic way of expression.
With
this verse, the physical description of Lalitai is concluded. From nāma-s 53 to 64 it is going to be the
description of Śrī Nagara,
the place where Lalitai lives. It
can be observed in nāma-s 13-54, while describing physical form of Lalitai,
some of them are delicate to discuss.
Not only in this Sahasranāma, but also in Saundarya Laharī
such descriptions are found. Generally a
question arises, whether such descriptions are justifiable, beyond a certain
level. There could be two possibilities
for such narratives. One is the
possibility of poetisation, which is generally allowed in poems. One can apply this to Saundarya Laharī,
composed by Ādi Śaṅakara. How a great sage like Śaṅakara can make such
descriptions? Śaṅakarā is no ordinary
person. He is said to be the incarnation
of Lord Śiva. If this is true his descriptions can be
accepted, subject to the question why he should express such things in
public. It is difficult to know the
right answer. There should be something
extremely subtle in such descriptions, which cannot be comprehended by ordinary
humans. Take this Sahasranāma composed
by Vāc Devi-s, who are always with Lalitai. Further, this Sahasranāma was recited
in the presence of Lalitai Herself.
If She found something wrong with the verses, She could have burnt these
Vāc Devi-s. She did not do
so. So, it is clear that such
descriptions are approved by Lalitai Herself. Her Pañcadaśī mantra is meditated upon
Her bodily parts which are considered to be highly secretive in nature, though
discussed moderately in this edition.
Following
could be the reasons for such descriptions in this Sahasranāma and
elsewhere. The first point is, in any
poetic visualization, such narratives are permitted. Poetic skills are expressed through such
descriptions. Second thing is to test a
devotee whether he gets excited on such descriptions. This is a sort of test before proceeding to
higher awareness. Thirdly, such
descriptions are part of māyā played by Śaktī. Unless māyā
goes away from a person, realizing the Brahman is not possible and hence such
descriptions fall under the gaze of māyā. It could also mean the kuṇḍalinī
energy and its path. But beyond such
reasoning one can think of, none has authority or right to analyze such
narrations. One has to understand that
the world of illusion is full of desires and one has to cross such desires to
reach higher planes of consciousness only after knowing such realities, as
realising the reality alone leads to the Brahman. Before closing the discussion on this
subject, one should not forget that nirguṇa Brahman is formless and to
realize nirguṇa Brahman, one has to realize the saguṇa Brahman
(with qualities and form) first.
Possibly such narrations could help those not-so-intelligent (those who
never heard about the Brahman) people to at least visualize the saguṇa
Brahman, perhaps a stepping stone to spirituality.
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